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dragão tribal
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Tribal Pieces
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Dragon Wings
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Figures 8.10/3-4, page 181
FIG. 8.10/4. From mata hoata to the Vau rock motif by the addition of spirals. Source : Von den Steinen, i. 169, illus. 125 FIG. 8.10/3. The mata hoata tattoo indicated tends evidently toward the etua motif. Source : Von den Steinen, i. 104, illus. 54 Reproduced in Gell (1998:182-83), "Style and Culture", Art and Agency: An Anthropological Theory. see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
Pages 186-187
Alfred Gell (1998:186-87), Art and Agency: An Anthropological Theory. see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
Janus-faced image, Northwest American Indian art (Lévi Strauss)
FIG. 8.15/2. From Lévi-Strauss 1963: split representation and the Janus-faced image in north-west American tribal art. Source: Lévi-Strauss 1963: figs. 17 and 18 Reproduced in Gell (1998:194), "Style and Culture", Art and Agency: An Anthropological Theory see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
Figures 8.11/3-4 Hand face design
Fig. 8.11/3. 'Hand face' design 1. Source: Von den Steinen, i. 177, illus 136/5. Fig. 8.11/4. 'Hand face' design 2: each eye can also be read as a face, one single etua, or as one etua containing another. Source: Von den Steinen, i. 177, illus 136/6. Reproduced in Gell (1998:182-83), "Style and Culture", Art and Agency: An Anthropological Theory. see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
Chiefess's girdle with type 3 'kake' Figure 8.9-4, page 178
FIG. 8.9/4. The chiefess's girdle with type III kake . See Section 8.11 below for face motifs. Source: Willowdean Handy, plate xv. Reproduced in Gell (1998:178), "Style and Culture", Art and Agency: An Anthropological Theory. see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
Figure 8.12/1, page 186
FIG. 8.12/1 Rosette motifs. Source: Von den Steinen, ii 148 illus. 193. Reproduced in Gell (1998:186), "Style and Culture", Art and Agency: An Anthropological Theory see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
From double mata hoata to ipu; Tapa mask with ipu 'eyes'.
Fig. 8.11/1 Far left: From double mata hoata to ipu. Source: Von den Steinen, i. 129, illus. 74. Fig. 8.11/2, left. Tapa mask with ipu 'eyes'. Source: Von den Steinen, i. 173, illus. 131. Reproduced in Gell (1998:182-83), "Style and Culture", Art and Agency: An Anthropological Theory. see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
"Style and Culture", page 185
Fig. 8.11/6. Langsdorff's 1813 engraving of young warrior with eye and face designs. Source: Langsdorff 1813-14. Reproduced in Gell (1998:185), "Style and Culture", Art and Agency: An Anthropological Theory . see also: Great Diagrams in Anthropology, Linguistics, and Social Theory.
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The underground world uses tattoos to show membership of gangs. These are called Criminal Tattoos.
Last modified on 2009-03-26 10:11:03